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Songz might be R&B’s most single-minded star, with little of D’Angelo‘s private mysticism or R.Kelly’s flair for the soap-operatic.” Chapter V finds himself going about that business as determinedly as an infrantryman. Similarly, The Los Angeles Times notes, “‘to please your body is my mission,’ he promises over a humid slow-jam. Kelly’s both men are happy to draw blueprints, giving big voice to small, sometimes odd details.” Kelly, but he huffs and puffs convincingly, and his commitment to intimate detail mirrors Mr. Kelly’s shadow, not a surprise for a man who, on his fifth album, Chapter V, spells interlude ‘interlewd.’ Trey Songz has never been as powerful a singer as Mr. Kelly, saying, “for years Trey Songz has been squeezing into Mr. However, The New York Times was not impressed by Songz’ supposed mimic of R. USA Today agrees, writing, “Songz has a knack for revving up the libido with smooth pillow talk and sly suggestions, and he doesn’t disappoint here.” Ultimately though, this one is a step up, its maker beginning to lean towards representing the sentiments of the men he stands for, developing a voice currently missing in RnB.PHOTOS: BET Awards 2012: Kanye West, Jay-Z, Beyonce, Chris Brown Rock the Show No mix of club bangers, emotive slow jams, big hook-laden pop choruses and rockist dalliances can disguise his limitations, but as Songz begins to push into more interesting territory there’s a teasing feeling he’s got a better album in him yet. His sex chat is expendable, but Trey’s doubts remain – although while his sincerity is commendable, there’s a point at which obsessions reach their endpoints. A humbler tone pervades, be it through guilt (Bad Decisions), remorse (Without a Woman), or regret (Fumble). It’s not until the ninth track, Pretty Girls Lie, that Trey reveals a deeper side to his songwriting and, concurrently, his own personality. It’s a reward, too, appearing amidst so much braggadocio and utterances of untainted infatuation. Playin’ Hard leaves the deepest impression from this throng of tracks, with Trey whimpering: “F***in’ all these broads / I’m disgusted with my damn self.” It’s the smallest of reveals shorn of context, but represents a considerable compromise from this artist.
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Fans of old will have become used to these blush-inducing lines some time ago – but what can newcomers expect from Trey, operating in a field of other, perhaps more interesting, sex fantasists like Anthony Hamilton and R Kelly? That said, Trey does go into no little detail regarding his preferences and desires – the result somewhat akin to a sex tape. As an artist operating largely outside of the tabloids, his fans are more interested in how his relationships affect his psyche rather than who, exactly, he’s sleeping with. This has been clear since his debut, so by this fifth album it’s less of a revelatory position, more the hammering home of an established point.īut Trey’s references to sex are rather more engaging than your average. He likes to embody its every sensation in his music by feeling each beat he’s so close to the music that it pulsates through his vocal, frenzied.